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MANF08

Manifold Research Centre Antilope Desktop Experimental Drum Synth & Audio Processor

Manifold Research Centre

€750,00
In stock
Manifold Research Centre Antilope Desktop Experimental Drum Synth & Audio Processor main image
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Manifold Research Centre Antilope Desktop Experimental Drum Synth & Audio Processor main image
Manifold Research Centre Antilope Desktop Experimental Drum Synth & Audio Processor image 2
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Manufacturer's description

Antilope is a pseudo drum and dynamics machine, a dual pingable fully resonant filter, with distortion + multiFX feedback path, all controllable through a pattern recorder with 3 cv sources switchable between morphable AD envelopes or stepped voltages.


It's a standalone instrument, but compatible with eurorack voltage levels, with midi clk/reset and sync inputs.


Has a stereo line level input for processing external sources, stereo line level out, and a headphone output.
A USB C (2.4A) power input makes antilope a portable instrument.



 

Sections overview



FILTER:

It's a dual filter with common cutoff, resonance and spread;
Audio inputs level control, LPF to HPF crossfaders and attenuverters for v/oct CV in.  For audio inputs we have eurorack level jacks on the front and a stereo 3.5mm line-level on back.

CV inputs are pitch and resonance.

The filters can self-oscillate in order to be treated as a dual VCO that can track v/oct up to 4 octaves.
But antilope shines when pinged, its worth to mention that its Q pot control has been shaped in order to offer a quasi-linear control of the decay length of the excited filters.




DISTORTION:

The 2 filters get summed then into the distortion section, modeled after the sunn o)) beta bass amplifier.
Its composed of a level control, distortion, Feedback and a three band equaliser with an emphasis on the low mid frequencies (dont worry, the HIGHs can scream too!).
The level and feedback are VCAs, making them CV controllable.

Also, a 2 position switch allows to decide the feedback path: 


1. The distortion output goes straight back to its input, this shapes drastically the distortion harmonics till self oscillation;


2. The distortion output goes through the FX chain, which output then goes back to the distortion input, this adds an analog feedback path for the digital FX section, also the eq allows you to shape and control the color of the FX;



FXs:

A spin fv-1 FX section runs right after the distortion, it offers 7 different stereo algorhythms, spacing from multitap echoes, flanger delays, pitch shifting delays and reverbs.


There is a dry/wet control, and 3 control parameters for the selected effect (all of them with their dedicated CV in).
As mentioned before, the analog feedback path that brings the FX out back to the distortion section adds warmth and tone control, the drive amount changes also completely the character of the fx going from smooth up to crunchy, distorted and broken textures, it also incorporates back the stereo signal into mono blending nicely the dry wet signals avoiding a complete separation between mid/side and creating a more "natural" sound.



 

THE CORE:

The brain of the antilope is a trigger recorder, which allows you to record events (through the cherry MX switches) for 3 independent channels. Each channel has a dedicated cv and gate outputs.


The type of output can be switched between an AD envelope (with controllable length through the faders) or a stepped voltages sequence, which will be extrapolated from the 6 faders positions.


The envelope shape is morphable from exponential to logarhithmic, and to exp/log to log/exp. The rate can go from 20ms/50Hz  to ~ 8s/0.125Hz.

Once a pattern has been recorded, channels have independent control of the following parameters: phase, shape and multiplication/division over playback speed. This parameters can be externally CV controlled, through the jack inputs on the rear panel of the antilope.


A touch/magnetic surface allows to introduce various types and combinations of cross modulations between the 3 channels, this is a great expressive tool to add embelishments, and widening the palette of possible variations of an otherwise steady and repetitive pattern.

At the moment, up to 7 patterns can be saved and recalled (only the core parameters, filter/distortion/FX are analogically controlled).

Since the pattern recorder unquantised, the external midi clock work as a reset every 4 steps.

External clock signals (gate/trig) resets every "n" ticks, with "n" selectable from: 2,4,8,10,12,16,32.



Antilope has a usb port for future CORE firmware updates.



Antilope is an instrument of experimentation and discovery, it's a condensation of manifold aresearch centre sound and interface philosophy.

Antilope is powered over USB C - a USB C cable is included in the package which will work with most "phone charger" USB power supplies.

Coming soon!

How much is my shipping?

Shipping costs are calculated automatically at checkout. Simply add items to your cart and proceed to the checkout page, where you'll see the available shipping options and their prices. VAT at the applicable rate for your country will also be displayed at checkout.

European Union orders:

  • Standard shipping is free on orders over €100. Express shipping is available on orders over €100, and free on orders over €400.

Poland orders:

  • Standard shipping is free on orders over 250 PLN. Express shipping is free on orders over 500 PLN.

What about local taxes?

By default prices on the site include sales tax at 20%. The precise sales tax rate for your country will be calculated at checkout.

Do you ship to my country?

We ship to all EU member states from our warehouse in Warsaw, Poland. Add an item to your cart and enter your country and postcode to see the available shipping options and prices for your location. If you have any questions about shipping to your country, drop us an email at info@signalsounds.eu and we'll be happy to help.

Shipping methods

All EU orders are shipped via UPS. We offer two service levels:

  • UPS Standard – our default shipping option. Delivery times vary by country (see estimated delivery times below).
  • UPS Express Saver – next business day delivery to most EU destinations.

Each product page shows the estimated delivery time for your location, so you'll always know what to expect before you order.

Estimated delivery times (Standard shipping)

The times below are estimates in working days from dispatch, based on UPS Standard service. Express Saver delivers by the next business day to most destinations.

Country Estimated delivery (working days)
Austria2–3
Belgium2
Bulgaria4–5
Croatia2–4
Cyprus10
Czechia2–3
Denmark3
Estonia2–3
Finland3–5
France2–4
Germany2
Greece5–7
Hungary2–3
Ireland4–6
Italy3–5
Latvia2–3
Lithuania1–2
Luxembourg2
Malta5–7
Netherlands2
Poland1–2
Portugal4–5
Romania3–4
Slovakia2–3
Slovenia2–3
Spain4
Sweden3–5

These times are estimates and are not guaranteed. Delivery may occasionally take a little longer due to customs processing, local conditions, or carrier delays.

Dispatch times

Orders placed before 15:00 CET (Central European Time) on a working day are normally dispatched the same day. Orders placed after 15:00 CET, or on weekends and public holidays, will be dispatched on the next working day.

If you have an urgent order, please email us at info@signalsounds.eu before placing your order and we'll do our best to accommodate you.

Pre-orders

If a product is listed as a pre-order, it means we've ordered it from the supplier but it's not physically in stock yet. The product listing will include an estimated shipping date based on the best information we have from the supplier, but do bear in mind this is subject to change and is not a guaranteed date.

If you place an order containing a mixture of in-stock and pre-order items, we'll normally hold off on shipping anything until the pre-order item(s) have arrived, rather than splitting it into multiple shipments. If you need the in-stock items sooner, we'd recommend placing separate orders. As always, please get in touch at info@signalsounds.eu if you have questions.

Product Overview

Manufacturer's description

Antilope is a pseudo drum and dynamics machine, a dual pingable fully resonant filter, with distortion + multiFX feedback path, all controllable through a pattern recorder with 3 cv sources switchable between morphable AD envelopes or stepped voltages.


It's a standalone instrument, but compatible with eurorack voltage levels, with midi clk/reset and sync inputs.


Has a stereo line level input for processing external sources, stereo line level out, and a headphone output.
A USB C (2.4A) power input makes antilope a portable instrument.



 

Sections overview



FILTER:

It's a dual filter with common cutoff, resonance and spread;
Audio inputs level control, LPF to HPF crossfaders and attenuverters for v/oct CV in.  For audio inputs we have eurorack level jacks on the front and a stereo 3.5mm line-level on back.

CV inputs are pitch and resonance.

The filters can self-oscillate in order to be treated as a dual VCO that can track v/oct up to 4 octaves.
But antilope shines when pinged, its worth to mention that its Q pot control has been shaped in order to offer a quasi-linear control of the decay length of the excited filters.




DISTORTION:

The 2 filters get summed then into the distortion section, modeled after the sunn o)) beta bass amplifier.
Its composed of a level control, distortion, Feedback and a three band equaliser with an emphasis on the low mid frequencies (dont worry, the HIGHs can scream too!).
The level and feedback are VCAs, making them CV controllable.

Also, a 2 position switch allows to decide the feedback path: 


1. The distortion output goes straight back to its input, this shapes drastically the distortion harmonics till self oscillation;


2. The distortion output goes through the FX chain, which output then goes back to the distortion input, this adds an analog feedback path for the digital FX section, also the eq allows you to shape and control the color of the FX;



FXs:

A spin fv-1 FX section runs right after the distortion, it offers 7 different stereo algorhythms, spacing from multitap echoes, flanger delays, pitch shifting delays and reverbs.


There is a dry/wet control, and 3 control parameters for the selected effect (all of them with their dedicated CV in).
As mentioned before, the analog feedback path that brings the FX out back to the distortion section adds warmth and tone control, the drive amount changes also completely the character of the fx going from smooth up to crunchy, distorted and broken textures, it also incorporates back the stereo signal into mono blending nicely the dry wet signals avoiding a complete separation between mid/side and creating a more "natural" sound.



 

THE CORE:

The brain of the antilope is a trigger recorder, which allows you to record events (through the cherry MX switches) for 3 independent channels. Each channel has a dedicated cv and gate outputs.


The type of output can be switched between an AD envelope (with controllable length through the faders) or a stepped voltages sequence, which will be extrapolated from the 6 faders positions.


The envelope shape is morphable from exponential to logarhithmic, and to exp/log to log/exp. The rate can go from 20ms/50Hz  to ~ 8s/0.125Hz.

Once a pattern has been recorded, channels have independent control of the following parameters: phase, shape and multiplication/division over playback speed. This parameters can be externally CV controlled, through the jack inputs on the rear panel of the antilope.


A touch/magnetic surface allows to introduce various types and combinations of cross modulations between the 3 channels, this is a great expressive tool to add embelishments, and widening the palette of possible variations of an otherwise steady and repetitive pattern.

At the moment, up to 7 patterns can be saved and recalled (only the core parameters, filter/distortion/FX are analogically controlled).

Since the pattern recorder unquantised, the external midi clock work as a reset every 4 steps.

External clock signals (gate/trig) resets every "n" ticks, with "n" selectable from: 2,4,8,10,12,16,32.



Antilope has a usb port for future CORE firmware updates.



Antilope is an instrument of experimentation and discovery, it's a condensation of manifold aresearch centre sound and interface philosophy.

Antilope is powered over USB C - a USB C cable is included in the package which will work with most "phone charger" USB power supplies.

Technical Specs

Coming soon!

Shipping Details

How much is my shipping?

Shipping costs are calculated automatically at checkout. Simply add items to your cart and proceed to the checkout page, where you'll see the available shipping options and their prices. VAT at the applicable rate for your country will also be displayed at checkout.

European Union orders:

  • Standard shipping is free on orders over €100. Express shipping is available on orders over €100, and free on orders over €400.

Poland orders:

  • Standard shipping is free on orders over 250 PLN. Express shipping is free on orders over 500 PLN.

What about local taxes?

By default prices on the site include sales tax at 20%. The precise sales tax rate for your country will be calculated at checkout.

Do you ship to my country?

We ship to all EU member states from our warehouse in Warsaw, Poland. Add an item to your cart and enter your country and postcode to see the available shipping options and prices for your location. If you have any questions about shipping to your country, drop us an email at info@signalsounds.eu and we'll be happy to help.

Shipping methods

All EU orders are shipped via UPS. We offer two service levels:

  • UPS Standard – our default shipping option. Delivery times vary by country (see estimated delivery times below).
  • UPS Express Saver – next business day delivery to most EU destinations.

Each product page shows the estimated delivery time for your location, so you'll always know what to expect before you order.

Estimated delivery times (Standard shipping)

The times below are estimates in working days from dispatch, based on UPS Standard service. Express Saver delivers by the next business day to most destinations.

Country Estimated delivery (working days)
Austria2–3
Belgium2
Bulgaria4–5
Croatia2–4
Cyprus10
Czechia2–3
Denmark3
Estonia2–3
Finland3–5
France2–4
Germany2
Greece5–7
Hungary2–3
Ireland4–6
Italy3–5
Latvia2–3
Lithuania1–2
Luxembourg2
Malta5–7
Netherlands2
Poland1–2
Portugal4–5
Romania3–4
Slovakia2–3
Slovenia2–3
Spain4
Sweden3–5

These times are estimates and are not guaranteed. Delivery may occasionally take a little longer due to customs processing, local conditions, or carrier delays.

Dispatch times

Orders placed before 15:00 CET (Central European Time) on a working day are normally dispatched the same day. Orders placed after 15:00 CET, or on weekends and public holidays, will be dispatched on the next working day.

If you have an urgent order, please email us at info@signalsounds.eu before placing your order and we'll do our best to accommodate you.

Pre-orders

If a product is listed as a pre-order, it means we've ordered it from the supplier but it's not physically in stock yet. The product listing will include an estimated shipping date based on the best information we have from the supplier, but do bear in mind this is subject to change and is not a guaranteed date.

If you place an order containing a mixture of in-stock and pre-order items, we'll normally hold off on shipping anything until the pre-order item(s) have arrived, rather than splitting it into multiple shipments. If you need the in-stock items sooner, we'd recommend placing separate orders. As always, please get in touch at info@signalsounds.eu if you have questions.

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