Tubbutec TR-6oh6 Hardware Upgrade (Buttons)

TR-6oh6 is a CPU upgrade and MIDI interface for the Roland TR-606. It adds an improved sequencer, additional instruments, live performance features and MIDI.

Features

• Replacement processor for TR-606 with extended features
• Nine additional drum sounds, including a clap
• Dynamic levels for all instruments
• MIDI input and output
• Improved sequencer, but true to the original:
  • Edit patterns while another one is playing
  • 32 patterns that can be chained to a track with up to 32 patterns
  • 8 tracks can be saved and recalled at any time
  • A new track can be programmed on the fly
  • Four dynamic levels per step and instrument
  • And/or four probability levels per step and instrument
  • Copy, paste and clear patterns easily
  • Tap recording and clear, as in the original
• A pattern generator with eight different styles
• Six live effects:
  • Instrument muting
  • Beat reslicer
  • Arpeggiator (live drum sequencer)
  • Ratchet / Flam with 7 different modes
  • Play directions (forward, backward, ping-pong, random)
  • Swing with adjustable amount
• Cymbal and open hihat decay control via MIDI
• Retains patterns even without battery
• Legacy mode: the same features as the original, but with MIDI
• Built-in configuration menu to quickly set many additional parameters
• Easy to install, no case drilling needed
• MIDI note config and firmware update via MIDI Sysex

MIDI Input and Output

TR-6oh6 features both MIDI input and output. The input can be used to sync the TR-606 to MIDI clock, and to trigger the instruments with velocity control. CC messages can also be used to control all kinds of parameters.

The output sends clock and the instruments sequenced by the TR-606, allowing control of other gear or recording of sequences in a DAW.

The MIDI notes of the instruments are freely configurable using a web-based tool.

There are multiple ways to install MIDI sockets:

• Use the existing DIN socket for both DIN-sync and MIDI input. Doing so loses the 'tap' and 'fill' signals on the DIN socket, but these are rarely used anyway.
• Install additional TRS sockets for both MIDI input and output — these are included in the kit. You can also use the DIN socket as MIDI input and a TRS socket as output.

Additional Instruments

With 6oh6, it is possible to access additional instruments in the sequencer or via MIDI. These instruments use the original 606 sound circuits, but trigger them in new ways:

• BD2 – Deep Kick: A deep 808-like kick
• SD2 – Clap: A clap constructed from parts of the snare, with freely configurable clap parameters
• LT2 – Mid Bass Drum: An alternative bass drum sound, triggering the higher part of the bass drum
• HT2 – Brush: The filtered noise of the toms, triggerable separately
• CY2 – Felt Cymbal: One part of the cymbal is triggered, sounding like hitting a cymbal with a felt mallet
• OH2 – Closed Cymbal: Triggers the short part of the cymbal
• CH2 – Click Hat: A click-like, very short closed hihat
• The clap can also be replaced with two further sounds: SNOISE (the noisy parts of the snare) and Closed Snare (a short version of the noisy snare)

Via MIDI, it's possible to trigger even more instrument variants, as some instruments allow a 'gated mode' where the length of the MIDI note influences its sound. All instruments, including the original ones, can be triggered with dynamic volume levels via the sequencer or via MIDI velocity.

The TR-6oh6 firmware expands upon the existing features in the PATTERN PLAY page, and turns it into a complete track programming mode. This frees up two switch positions, that were originally used for track programming (TRACK PLAY and WRITE). In the 6oh6, these pages are now used for live effects and additional settings.

There is also a Legacy mode that behaves identical to the original with 2 exceptions:

• Additional instruments can be selected
• MIDI features are still present

Programming patterns (PATTERN WRITE)

The control scheme of the PATTERN WRITE mode is mostly identical to the original, so users won’t have to relearn how to use the 606. We only added new features on top, such as:

• Seven additional instruments selectable via the GROUP button
• Per step and per instrument volume and probability control
• A pattern generator for the current instrument

Programming tracks (PATTERN PLAY)

The PATTERN PLAY mode is heavily expanded. It still allows you to chain multiple patterns. You can do that the same way as in the original.
However, you can now do much more here:

• Chain patterns from both pattern groups and in any order, with a pattern occurring multiple times in a chain
• Save these chains as track 1-8, load them on demand
• Select a pattern for independent editing (editing while it is not playing)
• Copy and paste patterns
• A pattern generator with 8 different styles
• Clear patterns

Pattern generator

There are two types of pattern generators built into the TR-6oh6:

• Instrument pattern generator: Generate rhythms for a specific instrument.
  By long-pressing tap in PATTERN WRITE, a pattern for the current instrument is created. The algorithm looks at the rhythms of other instruments and tries to find a good solution for the new one.
• Rhythm Pattern generator: Generate rhythms for a complete pattern.
  By long-pressing TAP in PATTERN PLAY, a complete pattern for the currently selected pattern is generated. The INSTRUMENT SELECTOR defines the style of the rhythm: AC creates a rhythm based on the existing pattern, while BD to CH create rhythms with increasing complexity.

Saving rhythm data

The original TR-606 can only keep pattern and track data if batteries are installed. With the TR-6oh6, you need to manually save the patterns before turning off the machine, but then they will be retained even without a battery.

Configuration menu

There is a built in confuration mode. Here, it is possible to define MIDI channels, select the clock source and various other settings.
It also possible to:

• Freely define the CLAP sound based on 6 different parameters.
• Create a custom FLAM effect that can span multiple steps.
• Define which levels are used for dynamics and probability